Farewell Magazine is a quarterly life style mag (death style mag?) recently published and available in all good news agents and on line. The Winter 2013 edition includes an article about Beyond Goodbye. Is this an indication of how far we have come in the business of ‘coming to terms’ with Josh’s death? Soon after he died and just as we had just as we had published Jimmy’s book Released, we were approached by a number of ‘press outlets’ asking to write up our story. They weren’t all tacky ‘women’s own’ type mags but even the more dignified requests were something we really couldn’t be bothered with. Now, nearly three years on, we have become more comfortable with the publicity that has come with the films we have made and the articles we ourselves have written. In a way, this site Beyond Goodbye, has become a bit more than a memorial to one man, it seems by all accounts to have gathered momentum as an example of a new way of dealing with the aftermath of tragedy. So while each and every day we still wake up to the terrible news that Josh is dead, our work in being more public in our grief has brought certain compensations. If it has been difficult for some of our friends to stay alongside us on this journey, there are many out there in the wider world, that know what we are going through and in a way we have become part of a wider community of the bereaved.
Before Josh died, and before we became involved with charities like The Compassionate Friends and Dying Matters, we wouldn’t have given a moments thought to the idea of picking up a mag like “Farewell’ or to peruse it’s contents in search of advice about how best to arrange a funeral. ‘Excuse me that’s someone else’s story’, I would have said, ‘nothing to do with me.’ Life after all is about living. Most of us have an inbuilt and necessary fear of death which makes the subject understandably hard to talk about – and those that do are seen as.. well.. morbid. But now we live with death every day. Joshua’s life and his death are our minute by minute companions. And it’s not morbid. Despite the hurt, the anguish and constant trawl for some relief, life in a strange way, now has more meaning and more purpose.
So death is now our story and although it still feels odd that someone would want to write it up in a glossy mag, we are I think OK with that. The article has some familiar pictures of Josh and uses Fred Chance’s brilliant photo of Matara as the backdrop to the front page. It covers our reasons for doing the funeral our way as well as nice words about Beyond Goodbye, ‘a collection of online ideas that remember Josh … Taken together, its a project of real work and a challenge to traditional introverted expressions of grief and mourning.’
To read the full article click here to download – Farewell Winter 2013 or go to your local WHSmiths and cough up £3.95. The article is on Page 41
SAY THEIR NAME, the film we made for TCF was up for an award for the Best Internet Bereavement Resource category of The Good Funeral Awards – and whaddya know – we won it!
Hmmm… Strange trophy perhaps – a minature wicker coffin but given that the event is organised by THE GOOD FUNERAL GUIDE hardly surprising – and its bigger than an Oscar (and lighter than my Bafta!) In effect The Good Funeral Awards are the annual shindig of what we have come to know as the “deathies’. In attendance were the great and the good from the world of funeral directors, celebrants, bereavement counsellors, coffin builders and grave diggers – as well as Pam St Clement (whose on screen death as Pat Butcher in East Enders has clearly touched many a heart) was there to dish out the prizes.
Josh’s death is of course why we are here. If Josh had not died we would not have become involved with The Compassionate Friends, we would not have made their video, and we wouldn’t be standing shoulder to shoulder with some of the most caring, compassionate and enlightened people we have met, because in truth these ‘deathies’ really are such. No morbid bunch of funeral stalkers these, more, this is a movement that is in the forefront of changeing the way we all deal with and talk about death. It truly is a terrible thing, but in a way it has taken the death of our son for us to really find that degree of self knowledge that allows us to be more accepting of death and more comfortable talking about it. To paraphrase one of the delegates Clarissa Tan – recognising “the finality of death is hard, but the uncertainties of life are perhaps even harder” – to talk about death really is to find out more about living.
And thats what we were doing in the run up to the award ceremony, as we joined a dozen or so others in a yurt in the garden of the hotel in Bournemouth. Have you heard of ‘death cafe’s’? Well this was a ‘death cafe’ and they are springing up all over. A bit like pop up restaurants but with death on the menu … a freakish, weird thing to do by most peoples standards maybe, but here atmosphere was relaxed, intimate and unafraid – no one blinked and there were no awkward silences when one member announced she had cancer and we told of our loss. All were equal whatever their story – death as the great leveller!
Back to SAY THEIR NAME and the awards. This was a glittering, champagne laden affair taking the form of all such occasions – “the nominees are …. the winner is” etc. And it didn’t disappoint as we sat nervously clutching each other, ready to be losers but wanting to win. Ah! the competitive spirit that always trumps even the most sober cause. Maybe not quite that sober. Acceptance speech? Jane was brilliant – no blushes and no gushes – enough said. But we can say that representing the film and TCF at the award ceremony was a real honour if only because people have been so positive about it – as per these quotes
“One of the most moving pieces of film that I’ve seen and utterly deserving of multiple awards in testimony to the powerful truths spoken by the parents we saw.” Fran Hall
“Wow that is brilliant (she says wiping away tears) … I hope that I can use this short film in my work. That footage has really helped me especially today since yesterdays funeral of a 15 year old girl so tragically taken is fresh in my thoughts.” Claire
“Really beautiful work – to showcase such articulate storytelling and promote remembrance.” Kathryn Edwards
“I was with each parent and sibling, deeply listening to them name and remember their loved one. It’s a good thing, this.” Kate.
I am still in awe of people who meet death everyday in their professional lives and I wonder what draws them to be undertakers, celebrants or soul midwives (a new one this). I suspect most have had painful experiences, themselves, but instead of hiding them away, they are using them to help us all confront our deepest fear – not of death but of life.
More nice news – SAY THEIR NAME has been nominated in the Good Funeral Awards 2013, to be held in Bournemouth on 7th September. The video, which we made for THE COMPASSIONATE FRIENDS, is in the running for the Best Internet Bereavement Resource and I have to say we are honoured, excited and encouraged by the recognition it has received.
Now in its second year, The Good Funeral Awards is actually the brainchild of Charles Cowling who writes, promotes and speaks up on everything do with making sure that the funeral you have is the one you want. As well as being a consumer guide to the Funeral Industry, Cowlings blog and book “The Good Funeral Guide” is an advocate for independence of mind, spirit and body, especially if its a dead one. Interestingly, though the awards are primarily about the ‘funeral world’ with other catagories like ‘The best Gravedigger of the Year’, ‘The best Embalmer of the Year’ and the “Eternal Slumber Award for Coffin Supplier of the Year”, they are also shine a significant light on our understanding of death and bereavement in contemporary society. Its probably true to say that ‘gallows humour’ mixes with serious intent as more than 75 nominees compete for 15 different awards.
This years ceremony will be hosted by Pam St Clement who as many will know starred as Pat Butcher in Eastenders culminating in a brilliant dying scene which touched millions of viewers.
If you haven’t yet watched SAY THEIR NAME you can view it here – SAY THEIR NAME
As we have noted before, we believe the video to be the only one of its kind in this country – made by and for bereaved parents, it gives comfort to the newly bereaved and understanding to their friends and family.
First off, I’m so sorry about the sudden death of your sweetheart – I do know something of the pain and confusion, the despair and deep anguish you are going through, so I want to send you my own feelings of compassion and love at this time. I haven’t read much of your blog yet but the fact that you are sharing stuff so soon after Claire’s death is, I believe, not just a brave thing but a healing thing too and the hopefully the best way forward. As you say, being public about your grief helps you to feel normal, that you are not alone and from that we can all take huge amounts of comfort.
Our son Joshua died in early 2011 and I too immediately started to write and muse about how my interests in photography could help see me through. I didn’t publish anything at first, but then we started our own website to honour and remember Josh – www.beyondgoodbye.co.uk – and that has led us to get involved with a number of charities dedicated to helping people through grief, and try and get a bit more acceptance in what people describe as our ‘death averse culture’. Have to say it has not been easy, but then it was not really a conscious decision to go ‘public’ with our grief – it just happened cos that’s what we do and we wanted to able able to stay in touch as much as possible with all Josh’s friends – and where better than on-line. The difficult bit has been the way many of our close friends (in the ‘real’ world) seemed to have been scared off but our continual mention of Josh and the public things we have done for him since he died – grief is traditionally seen as a private matter – it does afterall get in the way of life’s day to day business of earning a living, cleaning the car, watching footer, having sex and generally being happy and productive. Or does it? Possibly, but only if you see grief as something in which we shut ourselves away in a darkened room so that we can be miserable all the time. Which of course it is not. And that said, two and a half years after Josh died and all those difficult feelings that we and our friends have experienced have now begun to ‘normalise’, I think that by not hiding away (although I still do that a lot of the time) we have been able to face fears (for many the worst fear they could imagine – the death of their own child) by sharing them and in doing so all our lives are enriched – at least I hope so.
So thank you for sharing your grief – its not a shameful thing and these days I believe its not such a difficult thing – the internet has given us such great opportunities in this regard – you have made us feel a bit more normal and I hope you feel the same.
The wonderful Lewis Murphy, the first candidate to follow in Josh’s footsteps and work as an intern at the Ministry of Sound is coming to the end of his time there. He’s been writing a blog each day – and its hilarious. Thanks Lewis and well done.
‘Waking up on a Friday morning with a banging headache and the early signs of flu is not the way anyone would want to start the day, but that is exactly what happened the day of my interview. So I dosed up on ibuprofen and paracetamol and prepared my self for the interview….’
‘…. She had a thick Jamaican accent and with her was her friend who just looked really relaxed and chuckled every now and again. They were such nice and funny people, talking to me loudly not caring what others thought as they casually rolled up a couple of joints in front of me. We rode the train together all the way until they got off the stop before mine …’
‘The thing I’m enjoying most at the moment is working in this friendly environment with good music being played all over the office at different times and hearing the banter and either seeing or hearing the work that other people are doing and being blown away by it’
‘As Steve the station manager went down the list of songs for us to listen to on the massive screen at the end of the table we researched the artists and discussed their ratings in other charts and playlists. On one occasion Steve miss spelt the name of one of the artists and we ended up with crazed looking pictures of Mrs. Bush from George Bushes presidency, if you look at her left eye it does look like she has an evil twitch’
‘… After I’d finished up and started to head back I head a a faint noise over my headphones. I took them off and saw people getting out of their cars and people standing on the side of the road staring. Some man had tried to pull a U turn and plowed into the opposite pavement and into a pole, ripping out the front wheel, suspension and all! No one was hurt but the car was pretty mashed up. A good thing to live by I think is don’t pull a U turn in London… ever’
‘… I carried on sorting the tapes until I came across something that made me stop in my flow of work. A tape titled ‘BTS KID CUDI JOSH TAPE’ This must have been something that Josh had filmed while he was here at MOS. In fact it had suddenly hit me that most of the tapes here were probably filmed by him’
‘Unfortunately being fresh out of university I’m not exactly rolling in it so could not afford to go down to the market to which Steve said, ‘well… sounds like you need a… some kind of a float…. At which point he goes to hand me £10! I could not except that! ‘Do you know how much money that is!?’ I said ‘Yeah it’s £10′ Steve said in his Irish accent with a hit of what are you talking about in his voice. Marco laughed and just said ‘take the money ….’
‘Hot, hungry, thirsty and with music so loud my ears were starting to hurt I slowly became zombified. For 2 hours this dance was played and it was well past my time to take a break but I did not want the show to sound like arse so I stayed on through laughing with the guest and chatting as much as I could muster without letting the groggy heat frustration get the better of my mood …’
‘On the journey home I thought about how incredible had been today and just could not help but smile all the way back! Thinking of my friend Josh Taylor and the strange gifts in a way he has given me and thinking of Josh Edmonds and again the strange gifts in a way he has given me also. I want to do them both proud and make the opportunity’s I get from this internship be lasting and push me forwards into a career that I enjoy and love doing! So thank you guys for all you’ve done with out even knowing.’
That sleepy picture – the one that Josh used for his business card – the one that has become such a poignant reminder of who Josh was for us. We take it everywhere we go and we took it with us to Vietnam and Cambodia.
It’s a photo of Josh pretending to be asleep. He is not really asleep, he has closed is eyes on my request and in a sense I am in that picture too. You can’t see me but I am there – as a father and as a photographer, two roles, two identities that I cannot imagine being without. The photo was taken as a joke really. I was in the middle of a project taking photographs of people, most of them random strangers I met in the street – but with their eyes closed – and one day, on a rare visit to London, we decided on the spur of the moment to do one of Josh. We were with his brother Joe having a drink on the South Bank – that is Joes hand Josh is leaning against. I thought no more of it until Josh turned up a few weeks later showing us the design for his business card with ‘that sleepy picture’ as the background. It reminded me of the time many many years ago when my father took some of my photos and made some water colours from them. I felt as if there could be no nicer a tribute to my skills and the way I like to see the world. We all like recognition from a parent, do we not. Well ditto in reverse with Josh – I had no idea he thought much at all about my ideas as a photographer (and maybe he didn’t) but to follow them through as a way of promoting his own work (he worked as a video producer for the Ministry of Sound) was very very gratifying.
There is so much in that photograph for me and I could go on for hours about what it meant then and what has come to mean since Josh died. Of the moment we took it I recall being slightly surprised at how both brothers were happy to join in with my weird ideas. But I also I remember how little I was seeing of Josh since he moved to London and how I would savour every moment with him; and I remember how much he had matured since he’d left home and how much I valued his easy unhurried attitude to life. As with all photographs of loved ones who have died there is a terrible tension between that moment of their aliveness at the time the picture was taken and the photographs ability to live on beyond their death as a constant reminder of their absence. There is both pain and joy co-existing in a way that has no equivalent. Particularly so with this image of a boy pretending sleep, the more poignant now depicting as it does, a young man in perpetual sleep.
For this and many reasons then, the photograph now represents a real and continuing bond between the two of us. Unable now to take any further photographs of Joshua I have reworked it in numerous ways since Josh died (see this gallery here ) and from time to time, I take it out of my wallet, place it on a hillside or on a gatepost, or simply hold it in view and photograph it. Somewhere in all this is the idea that if we have a record of Josh on our travels, its proof that we haven’t forgotten him – it is one of the many foolish ways we have of staying in touch with him.
This is Halong Bay, a four hour drive from Hanoi and one of Vietnam’s foremost travel destinations. We wanted to go there, one because it is an amazing sight, two because you get to stay over night on a luxurious junk, but three because it was one of the places we knew Josh had been. And we knew he been there because we have the photographs to prove it.
Josh had traveled to South East Asia on his own but had met these young men in Laos and they rendezvoused again in Hanoi making plans to ride south on motor bikes. Of the five friends pictured here, Dominique and Don (to Josh’s right) and Jesse (second from right) would be with him at the time of the accident. They are the ones who sent us all the photos we have of Josh from his time in Vietnam. They are the sort of photographs you would expect from a young man traveling the world, meeting new friends, seeing new places, and wanting to send a message back home – here’s me over there, having a brilliant time, I’ll tell you all about it when I get back.
But if they are the sort of photos any of us might take as a momento of our travels, as often as not, they aren’t photographs of the actual journey or adventure, or of the variety of moods or the emotions that would accompany it. More often they are of the moments between the highs and the lows, constructed to the give an impression rather than a record of a good time. We take time out of whatever it is that we are doing, specifically to pose with thumbs aloft, or to gather together in a group and smile for the camera or in our case, to pose with our photo of Josh. And for good reason, we are there for the adventure after all not to make photographs of it. Or are we? Is it possible that these days, our travels and our adventures have no validity and possible then no value, unless we photograph them? As a friend mentioned the other day, they confer on us ‘bragging rights’ like stamps in a passport. But it is the one sure way we can prove we were actually there and I know that without these photos (and all the photos we have of Josh) we would be far more lost on our own journey and our own purpose of keeping his spirit alive.
Imagine that we didn’t have a single photograph to remember him by. Not one. Not even as a baby or a little boy growing up. How would that be? Would we forget what he looked like? Did he have short hair or long hair? Did dimples appear everytime he smiled? Was that really a man’s beard or still the down of youth? And without his likeness in a photograph, how long would it be before we forget him altogether? But even if the power of his likeness is overwhelming, does the fact that these are staged pictures, mean that we might lose too soon the sense of who Josh was rather than what Josh looked like. We have no pictures of Josh climbing the steps to that viewing platform or lugging his backpack on board the boat. None of the stuff that would tell us more of how he was possibly feeling. We have no more than the photographic evidence of his presence in Vietnam and they cannot really tell us how confident he was with these new friends; was he nervous about the bikes they had bought, weren’t they just a bit pissed off with cold and the rain. He is not here now to tell the stories behind the photos and without his voice there is no anchor to secure what little we do know of his adventures. He had told us on the phone just how cold the north of Vietnam was in winter time, how pleased he was to buy a replica North Face jacket at half the normal price, but we must use our own imagination to complete a narrative of their trip first to Halong Bay and then south on the Ho Chi Minh Highway.
We don’t know how long Josh spent on Halong Bay. Given the price and the season we suspect his was a day trip. We were visiting in summer and were able to make slightly more of it spending one night on the boat, visiting some caves, eating some fine food and diving in for a swim in the rain. Unlike January when Josh was here, the summer heat is oppressive. It is also the start of the rainy season and when it rains, it rains. It rained all night long and into the morning by which time we had had enough floating luxury.
On our return to Hanoi, we decided to mark Josh’s presence there by scattering some of his ashes in Hoan Kiem Lake. Translated this means The Lake of the Returned Sword after the legend in which the then 14c King was ordered by a holy turtle to return the sword that had helped him defeat the Chinese invaders. The turtle’s descendent is said still to live in the lake and like (or maybe unlike) the Loch Ness Monster, there have been numerous ‘sightings’. To the north of the lake is a small island on which stands the Ngoc Son Temple connected to the shore by a pretty bridge. It was here we felt most appropriate to stand again for a moment, to remember Josh, and to feel a little more connected not just to him but also to the Buddhist traditions that are everywhere part of Vietnamese life. Josh of course was not a Buddhist and nor are we, but being in a country where Buddhism is so strong helped us to understand and to be more comfortable with his death. Remembering and honouring those who have died is such an ordinary part of everyday life in here, that our little ritual, public as it was, provoked little interest with passers by. It was hard to feel grievous, or even that sad. Such has been the welcome we have received in Vietnam. it wouldn’t be until our return home, that I would again feel the full force of Josh’s death, the sharp ache of my boy’s total and forever absence.
To give our ceremony more substance, we again drew on the power of Josh’s photo. We tore the pictures of him from one of the Order of Ceremonies we had used for his funeral and watched as they drifted down in swirly gig fashion to float on the surface. If there had been a current no doubt we would’ve rushed to the other side of the bridge and wait for them to appear as they continued their journey downstream. As it was the ripples on the lake gradually softened these shreds of a life, and Joshua’s image slowly sank beneath the surface and disappeared from view. At the same time we let his ashes trickle through our fingers and into a slight breeze that had quietly begun to stroke the water.
How many times in the last two and a half years have we said goodbye to Josh? Somehow it did feel easier this time. Now that we have witnessed the place where he died, I think we are more secure to let him go. Now that we have found a tradition that allows the dead to continue living without embarrassment, we are more comfortable with the pain of our loss. Now that we have scattered a small part of him in a strange land we are more able to nurture our memories and to construct anew our own special rituals. And as Josh and his death find their place in our own family mythology, so perhaps, we can accept them as a more natural part of the human condition, part of that continuum of stories and legends and narratives that we all need in order to make sense of our lives, whatever our culture.
There was,however, no sign of that elusive turtle.
From this moment, we would leave Josh’s card along with others’ offerings and gifts at shrines and temples all across Vietnam and Cambodia. Buddhism has granted us a gift, and even if we don’t share a belief in an afterlife, the opportunity to borrow from other traditions and other customs has been (excuse the pun) a “godsend”. Because of Josh and his travels, we have been able to reflect on the many ways in which people find a connection with in an inner spirit world, to wonder at the power of collective imagination, and to discover how it really is possible to live with death in your life. Being human has come to mean something so much more since Josh died.
Standing as it does in the centre of Vietnam’s capital city, the Ngoc Son Temple is as much a tourist attraction as it is a religious venue. And as tourist are, so tourists will be. Just inside the front door, sat an elderly man earning a living as a scribe; selling his skills to worshippers and visitors alike. For five dollars we commissioned this beautiful example of calligraphy – we chose the characters with care but I’m afraid I have now forgotten what they mean.
The next day Joe had to fly back home. Jane, Rosa and I flew to Siem Reap in northern Cambodia. There was of course sadness in our parting as well as a certain anxiety that has become part of the baggage of our family life whenever we, as we must, go our separate ways. To let go of the sight of each other has and, I suspect, always will be much more of a wrench since Josh died.
Josh’s plans once he had traveled through Vietnam, was to continue on to Cambodia, back to Thailand and then on to Nepal. Our two weeks in Cambodia represented that part of of his trip he was unable to do. We visited the temples of the Angkor Archaelogical Park and then travelled south to Kampot on the coast and the capital Phnom Penh. There follows, as a conclusion to this post, a selection of photos of scenes and people we met during our time in Cambodia. I hope you enjoy them as much as I do. Since a young boy I have been drawn to the magic of photography. Hyperreal and pretending veracity it is, I think, the most surreal of artforms. A photograph has the unique ability to capture life, collapsing it into a single moment, while at the same time casting a spell that will outlive us all. Photographs can tell big stories and little stories but always from the past. A photograph always was, though it alludes to being now. It can never be the future yet it breathes with possibility. In a sense then photographs defy time itself and in a sense, you could say that photography is always in ‘Joshua’ time.
Look in any travel guide for Cambodia and you can see fantastic photographs of the temples of Angkor Wat and Angkor Thom, Bayon etc. Recognised as one of the seven wonders of the world, they are part of a huge area that was once the centre of the Khmer Republic (9th to 15th c). This was a period of great prosperity but also of continual change, politically and spiritually, with Buddhism and Hinduism alternating as the predominant religion. The ruins are covered with carvings and reliefs depicting various myths, legends and bits of propaganda. Highly symbolic and full of narrative they read like a storyboard for an epic Hollywood blockbuster and they must have expected to be seen as such. Not unlike photographs they are still images that have outlived both their makers and their subjects.
As I wandered around the grounds of Baphuon, this butterfly settled on my hand. I know many people who would say that this was a little bit of Josh’s spirit visiting me for a while. Well maybe, but probably not. And actually it matters not because in that moment I could believe that too; for the comfort it brought, and the stillness it represented. And it hasn’t been the first time I have been seduced into relinquishing my disbelief in some kind of afterlife; the tiny green frog that appear at the foot of Josh’s tree on the day we spread his ashes there; the crow that sat and watced as I ate my sandwich in a motorway service area on the M6; a white butterfly that accompanied us as we walked to the hill village of Tiglio near Barga in Italy. This little butterfly stayed with me for a good half an hour, occasionally flying off to circle around me and land again. Long enough for me to take a few snaps so I could share the experience, authenticate it, tell stories about it – to ‘brag’ about it.
As tourists (as opposed to travelers) it is difficult to engage properly with the history we are walking through, but we do love to brag about our visits to historical sites and monuments. All the more so now that we can achieve this within an instant. Modern technology has given us license to record our presence ‘in’ history, but often only to the extent that we agree with its potential to make it and us into commodities. In many ways we have sacrificed who we really are and where we come from, to a generic and ubiquitous ‘facebook’ image that does no justice at all to the moment or the place.
In common with many cultures, I suspect that I have an unconscious wish to believe that Josh is not really dead, merely sleeping – sometimes I can imagine him opening his eyes any moment now, if only to wink at me. In any case, I have found that my images of people asleep, while the world continues around them, speak to that sense of ambiguity we have between sleep and death.
We are grateful that Josh did not die of hunger or violence, from hatred or in war. In the late seventies, during the time of the Khmer Rouge, over one million Cambodians including many children did suffer such a fate. (this actually represents 1 in 8 of the total population). It was a humbling experience to visit Tuol Sleng Genocide Museum and Choeung Ek Memorial (one of roughly a hundred ‘killing fields’) near the capital Phnom Penh. Most haunting are the thousands of photographic portraits that line the walls of the Museum, originally the Tuol Svay Pray High School which was turned into a torture, interrogation and execution centre by hardliners of the Khmer Rouge. Of the 14,000 people known to have entered only seven have survived. The vast majority were carefully photographed before being brutally tortured and forced to confess their ‘crimes’. Inevitably we will draw a comparison between our tragedy (a single personal death) and the horrors of this mass killing. Not all, but most of these portraits are nameless, their anonymity to a certain extent, protecting us from their real lives, and their real deaths. This is forensic photography at it’s most clinical but also at it’s most revealing. Look at that mother and child, she will know they are both soon to die. And rows upon rows of children and young adults staring forever long past their execution date, maybe the only photographs of them that survive. See how fortunate we are to have so many photos of our Joshua – particularly the one in which he is feigning sleep.
Cambodia is now a young country. 96% of its population is under 60 and only a very few remember the civil war at all. The following photographs are the result of mostly very brief encounters. As portraits they too hide real identities, though their very anonymity may help us connect to a common humanity in which life and death can be, should be such an ordinary events.
We’ve done it. We’ve been to Vu Quang where you died in the middle of the road. It feels nearly as hard to say that as when we first heard the news of your death. But it is real, just as your death is real so we really have been to see the place where you died and to meet some of the people who were there at the time. In a sense these are the facts, what we make of them, how we remember them, what stories we tell around them and where we put them in the timescale of our own lives is another matter.
Our day began on the morning after the night train from Hoi An to Vinh. Actually this final part of our ‘pilgrimage’ to see where you took your last breath really started as we boarded the train with that sense that here we are at last; after more than two years we will soon be connecting with you in a way that we never wished we’d have to.
The train is cramped, crowded and noisy and we get very little sleep but as the morning light comes up, we now know that we are in Ha Tinh province, up until now only a name on a map, a name in a police report. We are glued to the window as the countryside lumbers past, spellbound by the sheer number of lotus flowers and paddy fields all with peasants in conical hats working the land. Our first opportunity to soak up the atmosphere of rural Vietnam.
Next door to us is a family of 10 happily cramped in to their tiny compartment. Their two youngest boys have spent much of the journey (irritatingly and charmingly) tapping on our window and pressing their noses against the glass and then running off down the corridor chasing a tennis ball. Squeezing past them is the steward and his trolley offering up rice and soup for breakfast which we decline politely. The last timewe were on such a sleeper we were on our way to Italy. You were eight and Rosa was three. We were going to spend a week with Sam and Doone and their Mum Adrienne. Remember the dead snake they were so keen to show us as soon as we arrived. To feel you so close yet to know you couldn’t be further away is so hard. and we wish with all our heart we could hug you one last time.
We are met at Vinh railway station by Uoc, the Vietnamese secondary school teacher who helped your friends after the accident. He is one of very few fluent English speakers in this remote part of Vietnam. Josh, we want you know this about Uoc; he is a complete LEG-END. One of the kindest, most thoughtful people we have ever met. Before our trip, and when first we contacted the British Embassy in Hanoi we asked how we could find the man who was called out from his class to translate and help with the police reports. We received an email almost by return from Uoc himself – it was as if he’d been waiting for us to find him. Now as we step of the train (which is running nearly and hour late) he is there to greet us. He has spotted us immediately (mind you, we are pretty easy to identify as the only white people on the platform) and guides us to a food stall under some trees near the taxi rank. Uoc has the look of a young boy, with wide eyes that are hungry for knowledge and as we sit drinking sweet cold sugar cane juice, he begins to tell us what happened when he arrived at the scene of your accident. But it is all too much too soon. We have only just stepped off the train and we need to adjust a little more to being in the presence of the man who would’ve seen your body lying in the road. The enormity of what lies ahead for us, is, we realize, only now beginning to sink in.
We arrive at Uoc’s home town Huong Son after a two hour dusty car ride through countryside that we imagine you too would have been familiar with. Not that many cars on the road but so many motorbikes, so many trucks and buses, all with horns blaring, weaving through potholes, overtaking, undertaking, this side, which side of the road, all avoiding each other and all surviving, all somehow staying alive to do the same tomorrow. It is midday and Uoc takes us for lunch. Huong Son is not the sort of place for restaurant so you get and you eat what you’re given. Soup, noodles, pigs foot, some spring rolls (as you will know you get spring rolls of varying quality everywhere in Vietnam) and some strange pickled berry things that are common fare for the indigenous peoples from the hills not far from here – (not that nice!)
Huong Son buzzes with life but it is far from the tourist trail and the rooms in the hotel Uoc has booked for us are dark and decrepid; a Turkish jail would have more charm. Very basic really, particularly after the luxury of the house in Hoi An but again the sort of place you would’ve taken it in your stride – (note to selves – must look up that footage you took of deciding who should get the beds by playing paper/rock/scissors – you lost we think). But Uoc has planned everything for us with real sensitivity and he wants us to be fully rested before he takes us to Vu Quang. Jimmy and Joe doze, Jane stays awake. It is late afternoon when Uoc comes back to collect us.
Vu Quang and the moment on Ho Chi Minh highway where you swerved to avoid an old man walking his bike up the hill, is a short half hour journey away. In the car with us are Uoc, his sister and his two year old baby daughter Sami who bounces around between front and back seat. There is something normalising about them being there. For them just another ordinary day out. Rosa points out Vietnam is so spiritual there is room for both life and death here.
We are now traveling down the same road you and your friends were on two years ago and we can all sense the exhilaration and the real fun you would be having on your motorbikes as the countryside, this beautiful countryside sped past. The road rises and falls over a gently undulating landscape of forest and farmland both meeting the roadside as abruptly as past meeting the present. The driver narrowly misses a water buffalo which has decided to resist its owners attempts to prevent it taking a shit in the middle of the highway.
A mile or so later we begin to recognize the landscape from the photos of the area we have seen on Google Maps. The road divides into a dual carriage way and the line of lampposts on the central island stretch into the distance. The driver slows and pulls over to the side as we approach what looks like a roadside police check and our first thought is we have been booked for speeding. But Uoc has arranged for us to meet the cop who attended the scene of your accident. This is amazing. Uoc really has thought of everything to make this journey of ours as meaningful as possible. The policeman looks at Joe and then at Rosa saying they must be your brother and sister as they look so much like you. He then follows on his bike and a couple of miles later we again pull over to the side.
We are here. The heat blasts us as we step out of the car. (All new cars in Vietnam have air-con – but we guess you know that!) It’s like walking into a wall of solid hot air but we also have a very real sense that we are stepping through a curtain of time, to a place where time itself no longer has the power to order our lives. The early evening sun throws long shadows as we clamber out onto the tarmac. We are a now family of five again, together in spirit and bound by love and our completeness spreads out across the hard gritty surface with an unexpected and soothing calm. Here at the place of your death we can feel the chains of mourning beginning to loosen just a little. At first there is nothing to say. Then our wondering becomes wandering and silently we begin to explore the scene, each our own archeologist superimposing previous imaginings onto this very real, this very actual roadside . When did we-five become we-four? How did five become four? Why, oh why did we lose you? In some ways we already know the answers to these questions so what we learn here is confirmation not of the facts of your death but a sort of joining together of our own stories – stories that were ‘then’ becoming much more stories that are ‘now’, and stories we can now perhaps stitch together into the fabric of what has to be – our lives continuing on while yours does not.
A constant stream of dumper trucks labours up the hill from the nearby quarry. Past them and on either side flow motorbikes with a variety of loads, hay bales, water canisters, mattresses. Did you see them like we see them now? A farmer harnesses an ox to his cart and leads it across the road oblivious of the traffic. Did you notice him? Somewhere behind a gateway a dog barks. Did you hear it? And did you see, did you sense, were you aware of the people rushing to the roadside as you fell? Because Josh, just as two years ago when they came to witness something out of the ordinary on this unremarkable stretch of the Ho Chi Minh Highway, so now they are gathering to watch and observe us, a party of Europeans with their cameras and their sunburn and their somber looks. There seems to be something vaguely amusing in this spectacle until Uoc explains our presence. He thinks he has discovered someone who actually saw your accident: someone who then explains at length the events of that day. The crowd assembles while we wait for the translation, but it turns out he is only a friend of the person who saw it. As would happen anywhere, everybody wants a piece of the action, a claim on the tale to be told; especially when death is one of the players. This is of no consequence. It is clear that all the stories of that terrible day do tally and we are content just hear the sound of voices and be in the presence of strangers that have also been marked by your death.
And Josh, they have been marked and they do remember. On 16th January each year since, a small shrine appears by this roadside. Wherever we have gone in Vietnam, people remember their dead by bringing offerings, (you will like this Josh) of sweets, beer, chocolates, fruit and cake! – and of course incense. Uoc says he too comes here on that day bringing as he does today a box of cakes. We begin to prepare our own shrine for you. We have brought a few momentos; some photos, one of your business cards, a Ministry of Sound CD, a card from the Gales, a string of shells that Hollie and Charlie have made. One of the villagers runs over with an old yogurt pot filled with sand. This is to place our incense sticks and at first he wants to put it in the middle of the road, on the actual spot where you lost your life. Others are walking out into the highway to debate the point. Is it here, no more likely it is there, perhaps it was here; we can see them becoming quite troubled in their need to get it right. Would you know, would you care?
In the end we call them back to the verge and the yogurt pot finds what feels like its rightful place under the safety barrier. Uoc leads our little ritual and lights the incense sticks which we take turns to set in the sand. This is our biggest moment and it is not without tears – and a long, long group hug. In the purest and simplest way possible we are honouring you and we are remembering you with a small ceremony that is and will remain as important to us as your funeral. But this time we are borrowing from another culture and another set of beliefs where people are expected to live on, to be reincarnated, where karma is of utmost importance to life and death, and where the spirit of ones ancestors have a sacred place at the heart of every home to be looked after and revered for all time. 80% of Vietnamese are Buddhists and practicing or not there isn’t a house in this country where the first thing you see as you enter is a shrine to the departed.
Uoc, his sister, and 2 year old and the policeman are squatting by the roadside. They are watching Joe as he ties some Tibetan prayer flags onto a lamppost (another gift from the Gales). Below it he scratches your name. Rosa scratches a kiss. Uoc promises that he will continue to come here every year on January 16th – and we believe him – absolutely. ‘This is’ he says ‘your day of the dead’. We are not Buddhists and we don’t believe in life after death, but what we did last Monday was deeply affecting. We will carry this moment and make it part of our goodbye to you… our forever.
With so much love
Mum and Dad
Ps – later that evening Uoc invited us around to his house for dinner. Afterwards some of his students came round eager to practice their English. Joe was more than happy to oblige with an impromptu evening class.
Arrived mid evening after 14 hour flight via Dubai feeling buzzed out but not too tired. The taxi from the airport was our first experience with Vietnamese traffic, the driver leaning on his horn while weaving through the only other vehicles on the road – motorbikes, motor cycles, scooters – the rules of traffic being seemingly non existant. Hands over ears and eyes most of the time. Check in to Hotel Continental – spartan but comfortable – not as ‘faded glory’ as I had imagined – polished marble floors, chipped paint and spotlessly clean if a little soulless – the colonial era has given way to socialist efficiency. If Graham Green and Somerset Maughan had stayed here there’s no sign of these illustrious guests – any other hotel would have huge pictures of them in the lobby . There was however a massive photo of a bride and groom – weekends is wedding time as Michael the butler from Claridges would say and over this weekend the hotel would cram three in. The first of these was in full swing in the courtyard, the music rising with the heat and causing Joe and Rosa some concern for their sleep. Jane and I had a room on the other side of the building. Jane was out like a light but I stayed awake till 1.30 having started to watch a documentary about the American war in Vietnam – “Hearts and Minds” a brilliant and beautifully made film.
When you open the hotel window on the morning of your first day in a foreign country, the novelty of it all wraps round you like a brand new scarf. The heat, piped music from the square, the advertising hordings, the constant roar of motorbikes, all confirmation that we are here at the start of our journey to find out more about the country Joshua was traveling through. The motorbikes of course have special significance – Josh was riding a 100cc Honda Win when he died and every time I see one of these bikes, my thoughts spin back to those earliest imaginings in the days after we received the news of his accident. But already I’m getting a sense that these machines and the roads they inhabit are not ‘the accident waiting to happen’ as we had feared. To ride in what looks like chaos does not mean it is unsafe though I guess a fundamental requirement is to have 360 degree awareness of everyone else around you.
Breakfast was a disaster – every conceivable meal and taste seemed to be catered for – porridge with meat balls, noodles, dim sum, as well as croissants and fruit yogurts. The coffee was disgusting – was it laced with cardamon, coriander, or chicory – probably none of these, maybe all of them. I decide to stay with jasmine tea with slices of tropical fruits.
We spent the first part of the day wandering the streets of central Saigon – it is Ho Chi Minh’s birthday tomorrow and there are red flags and posters of him everywhere, even a special photo display in the square. Something to look forward to. We don’t have a lot of time in Saigon so whatever we do will be very cursory – a spin through the market, a visit to the War Museum, a high speed lift up the city’s archectural icon to modernity – the Bitexco Financial Building, a meal seated on children’s stools on the pavement. This unsurprisingly turned out to be the better of any of the food we’ve eaten. There was a menu but our order disappeared further off down the street to someone squatting over a small stove in a doorway. Call me old fashioned but food hygiene in the modern world leaves a lot to be desired – taste!
Her first day in Saigon and Rosa is picked up for soliciting !?!? (photo: Jimmy)
On Sunday we became a bonefide contributors to Vietnam’s booming tourist economy with the purchase of a day trip to the Mekong Delta. The mini bus arrived at the hotel at 8.15 on the dot – standard Viet punctuality – before rounding up our fellow sight seers from the various other internationally branded hotels in central Saigon. On board were Korean, Chinese, Japanese, even some Vietnamese all with American accents. Our destination was My Tho, nearly two hours away down Highway One. Just to make sure we were on the right road in the right country our guide galloped us through 3000 years of Vietnam’s history and the two Indochinese wars – the first against the French and the second against the Americans. I didn’t catch every word – his English was good but heavily accented and what with the constant beeping of the buses horn I think I just about got a sense that his war, or what would surely have been his parents war was in effect against the communists. Vietnam opened up to tourism with the lifting of the US blockade in the early 1990’s and the influx of foreign capital. Our guide seemed happy enough with this development. In one of the first documentaries I cut for television, ‘Apocalpse Then’, I well remember a scene with huge Coca Cola banners hanging on the façade of the Hanoi Opera House – (the equivalent would be 20 metre high portraits of HO Chi Minh draped over the National Gallery by Trafalgar Square). The Vietnamese call this ‘market socialism’ and in copying the Chinese, have adopted what is probably the most efficient and most developed form of capitalism, a state controlled commodity economy in which one of the best sellers is history and authenticity.
A short boat trip from the bus station across the river and we were in what was explained to us as a ‘village’ and we were being shown around a ‘villagers house’ just down the path from the local ‘market’. It felt very conveniently mapped out for the continual stream of cameras and video recorders. On sale was of course was, every traditional handicraft – sarongs, t shirts, lacquer bowls, coconut sculptures, much more than I care to remember. We were then invited to sit and enjoy some ‘traditional’ folk music including horribly scraped out versions of John Lennons ‘Imagine’ and ‘Auld Lang Syne’. I suspect that we haven’t as yet found the Vietnam that Josh was getting to know.
On our return to Saigon, we found that the celebrations for Ho Chi Minh’s birthday were non existant… mind you he is a symbol of revolutionary fervour, not necessarily of capitalist growth, something that has been in double figures for the past two decades.
Josh died on the Ho Chi Minh Highway near the town of Vu Quang in the north of Vietnam just over two years ago. Two years that have both flown and dragged by. Two years and his death still seems so unreal, so unnatural. The boy that was becoming a man, venturing abroad to discover what life had in store for him – how could he not now be living that life.
Perhaps we have too many photos and film clips of him – so many good memories shielding us from the pain of his death, of his absence; so many happy, vibrant, quizzical pictures of Josh as alive as any could be. Too many good stories that have, in a curious way, built up a fog of uncertainty around the fact of his death; a fact that should have been confirmed when, the day before the funeral, we all four of us stood round his casket and gazed on his lifeless form. We stroked his cold hands and kissed his cold forehead and tried to take in this awful reality. We were with him then for an hour, maybe only half an hour, who knows; time stood still. But hovering in the night air, the question no parent should ever have to ask: “why is our son so quiet; why is he lying in a box?” We were there; his mother, father, sister and brother. In his jeans and T shirt, Josh was there with ashen face, and sightless eyes. We must have known the answer to that question But that was then and this is now and time has discarded the evidence that was once so very clear. If my mind ever told me then that Josh has not and will never return home, my soul has continued to say no, still and forever no; this is not true; he is not dead. Joshua is out there still, wandering somewhere in this big world of ours.
As a family we always knew that one day we would travel to Vietnam to visit the spot where Joshua had his accident. And that day is almost here. We fly out on 16th May. Our initial idea was to continue Josh’s own journey, with a bit of an overlap. We would start in Laos travel through to Hanoi and then journey south to Saigon and from there to Cambodia. This would have been Josh’s plans as he made his way back to Thailand and thence to India and Nepal. Maybe one day Jane and I may well do this, but for now we have decided to concentrate on visiting Vietnam and Cambodia. We will want to soak up the atmosphere, particularly of Vietnam so that we can have a sense of the place that Josh was enjoying so much. Starting in Saigon (Ho Chi Minh City officially but still referred to locally as Sai Gon) we will then spend a week in Hoi An before visiting Vu Quang where we hope to meet with the school teacher that spoke English and helped Josh’s friends with the aftermath of the tragedy. Then tracing Josh’s last journey in reverse we will spend next few days in Hanoi including a nightover in one of the many junks that cruise Halong Bay famed for its thousands of small limestone islands.
Joe will have to go back to work after two weeks but Jane, Rosa and I will then fly down to Siem Reap in Cambodia, and gorge on all the temples of Ankgor Wat and the surrounding area, before traveling through to Phnom Penh and hopefully a few days lazing on one of the many tropical islands in the Gulf of Thailand. Thats the plan but who knows, and who cares if it actually works out like that.
What’s important for the four of us, is that the trip is both a kind of pilgrimage as well as a well earned holiday. Josh will of course be with us all the way but we don’t want his death and the sadness we all feel to get in the way of what can also be a journey of discovery. When Josh died we were all changed in ways we never thought possible and certainly never wanted. This trip may well be our chance to find out more about who we have become. I don’t think we are looking for ‘closure’ (as some have suggested) or that after we have been to the site of the accident, that we can then somehow “move on”. Who knows what we will feel, or how we will react. Personally I feel a desperate need to connect with the place where Josh died so suddenly; not so much as a way of imagining a horror of the scene, more as an attempt to encounter a reality, an ordinary everyday reality with ordinary people, people who may wonder why we are there, why we have arrived at this particular bit of roadside. And when we stand silently together, looking for signs, for clues, maybe take photographs of the empty highway, perhaps then we will know that the circumstances of Joshua’s death are both mundane and extraordinary. Both so deeply personal, so individually painful, as well as so universally commonplace. Perhaps then I won’t have to dig so deep, past days and months of waking up to each morning’s cruel reminder, past the continual background noise of Josh’s death, past all the things we have done to create a new life for him, to find that ghost of a memory that tells me, yes I did see him lying there … dead as ever dead can be.
An important moment will be Joshua’s 25th birthday on 23rd May. We will be in Hoi An and it just so happens that the famous Full Moon Festival for May is on the 23rd. Apparently its not at all like the full moon beach parties of Thailand where everyone just gets smashed out of their head – this really is about honouring traditional cultures with lots of poetry and folk music and of course thousands of lanterns. So we’ll definitely be setting one off for Josh.
Watch out for regular postings to this blog while we are a away – check Josh’s Facebook page, Postcards to Josh, and throw in some of your own thoughts and stories to the comments below – with lots of love Jimmy
The first Ministry of Sound intern to be selected from the Josh Edmonds Memorial Scheme will start work in July of this year.
Lewis Murphy is currently in his 3rd year of a radio production course at the University of Gloucestershire and is the first person to be chosen for what will be an annual award. The standard of applicants was very high and a difficult choice had to be made from our shortlist. But we all feel that Lewis is the ‘man for the job’ and we’re really really excited to be able to offer him this opportunity.
Lewis is particularily interested in radio production and has hosted and produced a weekly show for students at his university. He has also had a weekly two hour slot on Cheltenham based Drum&Bass radio Undergroundsoundz. His ambition is to have his own podcast up and running with the content being from entirely new or unknown and unsigned producers and DJ’s. For the future he would like to present his own radio show or work for a specialist music show or station.
Lewis is a very talented and enthusiastic young man, his passion for music (particularly drum & bass) and his independence of spirit is very similar to Josh’s and we hope he will get as much out of working at MoS as Josh did.
Lewis told us he was both honoured and overjoyed to be the first to receive the award. “The prospect of the internship feels like a reward at the end of my degree and is a big step in the right direction for me, allowing me to develop as a person as well as within my career. The combination of my passion along with my creative drive motivates me to use this incredible opportunity to its full potential, making sure I do it justice. I look forward to meeting and working with everyone at the Ministry of Sound.”
MoS chief Lohan Presencer said “We are extremely pleased to have secured a quality intern for MoS who will reflect the attributes we saw from Josh during his tenure with our organisation. We wish Lewis the best of luck and we will provide him with support and development during his placement”
So good luck Lewis and we hope that you’ll keep us updated with your time at MoS.